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From xenolinguistics to cephalo­pods
From xenolinguistics to cephalo­pods

Xenolinguistics

If ever humans should face creatures from outer space, they would ­surely have to find a way of dealing with the aliens and—supposing they would have such a thing: with their languages. The branch of linguistics dedicated to the study of such languages from outer space is commonly referred to as xenolinguistics. For the time being, xenolinguistics is an essentially speculative and certainly radical exercise of conceiving the diverse. We have asked a series of specialists from different fields that...
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  • linguistics
  • science fiction
  • communication media
  • communication
Current Texts

Stephen Barber

An immodest proposal

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-­alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions.
Although the Ballard ­estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do so can readily visit the British Library and view the notebooks in their entirety in the freely-­accessible manuscripts collection there.

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Dauerausstellung »Gesichtsüberwachungsschnecken« von Yves Netzhammer

05.09.2017 – 05.09.2018

U-Bahn-Station Altes Landgut (U1)
1100 Wien
Österreich

 

 

Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • photography
  • History of photography
  • film
  • media theory
  • Siegfried Kracauer
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Le texte inconnu est une promesse

Michele Pedrazzi

Le texte inconnu est une promesse

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  • media theory
  • linguistics
  • word processing
  • electronic music
  • music
  • reading
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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