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Essays on Photography by Siegfried Kracauer
Essays on Photography by Siegfried Kracauer

Siegfried Kracauer, Philippe Despoix (ed.), ...

The Past's Threshold

There can be no doubt, however, that in Kracauer’s texts published at the turn of the 1920s and the 1930s from his position as an editor of the cultural pages at the daily newspaper Frankfurter ­Zeitung, then in the 1950s during his American period, he sketches out a theorisation of photography that can be described as groundbreaking. But it is also true that most of his works overlap, in more than one way, with this medium of reproduction or that...
  • media theory
  • Siegfried Kracauer
  • History of photography
  • film
  • photography
Current Texts

Jean-Luc Nancy

Des zétrangers des zah des zuh

Etrange extraneus du dehors pas du dedans (intraneus) pas de la maison unheimlich pas du heim pas du foyer de l’autre côté des portes – fores, foreigner pas dans le rythme en trop, odd pas régulier pas ordinaire rare singulier seltsam bizarre besherat vaillant élégant fantasque tordu verschroben de travers surprenant extraordinaire étonnant

 

C’est étonnant comme nous sommes riches en mots formes façons pour tourner autour de l’étrange étranger de l’ausländer hors du pays pas « pays avec nous » comme on disait jadis en France « c’est un pays à moi » pour dire quelqu’un de mon village de mon coin ma province mon bled

 

Riches à profusion pour tout ce qui n’est pas proche et propre, approprié, convenant, mitmenschlich ce qui ne fait pas mitdasein

 

Parce qu’on présuppose que mit avec with est consistant, plein, solide et solidaire et ce qui est without avecsans mitohne avec hors ou hors d’avec la proximité

 

Mais avec même proche exige...

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Blood!

Ines Kleesattel

Blood!

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  • gender
  • subjectification
  • painting
  • gaze
  • body
  • art history
  • feminism

 

Topics
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • financial markets
    • financial crisis
    • discourse history
    • economics
    • economization
    • economy
  • Choreographing multitudes

    Choreographing multitudes

    • social networks
    • social movements
    • protest movements
    • swarm model
    • crowd psychology
    • crowd
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • monochrome
    • color
    • image and imagery
    • semiotics and semiology
    • chromatics / colour science
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • contemporary art
  • aesthetics
  • critical theory
  • morals
  • political aesthetics

 

“Every human body is an old civilization”
“Every human body is an old civilization”

Susanne Witzgall

“Every human body is an old civilization”

Susanne Witzgall: One common point in your texts in that both of you describe migration as an incomplete process, as a practice that is not completed with the arrival at the destination, but perhaps even only finds its starting point, its beginning, there. For instance, you Christian Kravagna, have written in your essay that many migrants develop a practice of travelling back and forth, almost like commuting, a process in which there is no definitive home that one can return...
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Current Texts

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه  که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من

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Marcus Quent

Belief in the world is what we most lack.

It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”

At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...

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