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Rudolf Steiner, Pleasant Valley
»The camera is my »exosomatic extension‹.«
  • Allan Sekula
  • fiction
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  • Poland
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Why do computer games exist?
  • media studies
  • computer games
  • game theory
  • computer
  • digital media
  • Game Studies
News + Events

Straub/Huillet: Tell it to the Stones

13.09.2017 – 19.11.2017

Akademie der Künste
Hanseatenweg 10
10557 Berlin
Deutschland

Sergei Eisenstein: The Anthropology of Rhythm

19.09.2017 – 19.01.2018

Nomas Foundation
Viale Somalia 33
01199 Rom
Italien

“The fissured moment:”
Reiner Schürmann Colloquium

02.11.2017, 09:00

ESPACE DIAPHANES
Dresdener Str. 118
10999 Berlin
Deutschland

Storming of the Winter Palace: History as Theater

23.09.2017 – 25.10.2017

Gessnerallee Zürich
Gessnerallee 8
8001 Zürich
Schweiz

Mama Say Make I Dey Go, She Dey My Back
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Venice, Lagos, and the Spaces in between

Wandering down the Riva S. Biasio I gaze at the superyachts, thronged at the quay, and the African street vendors selling cheap knock-off handbags: poor immigrants trying to make a living contrasted with the absurdly wealthy visiting one of the great gatherings of the globalized art world. This image has become a sort of a cliché, especially during the last edition of the Biennale di Venezia, curated by Okwui Enwezor, with its emphasis on art from the global South and...
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  • colonialism
  • body
  • feminism
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  • Africa
The limp, voluptuous decadence of the place
The limp, voluptuous decadence of the place

Bruce Bégout

The Man from Venice

I’m not going to talk about my profession here. That’s of no importance in understanding what happened to me. I could have any job, or even be unemployed. That wouldn’t affect this story in the slightest. On the other hand, it’s crucial to know that I am one of the world’s best-known urban explorers. I’ve been doing urbex for more than 20 years, and my blog is one of the most visited on the web. There I compile my hundreds of...
  • obsession
  • urbanism
  • contemporary literature
  • avant-garde
  • short stories
Fiction

Stephen Barber

Twenty-four hours in state of unconsciousness

Now the dead will no longer be buried, now this spectral city will become the site for execrations and lamentations, now time itself will disintegrate and void itself, now human bodies will expectorate fury and envision their own transformation or negation, now infinite and untold catastrophes are imminently on their way —ready to cross the bridge over the river Aire and engulf us all — in this winter of discontent, just beginning at this dead-of-night ­instant before midnight, North-Sea ice-particles already crackling in the air and the last summer long-over, the final moment of my seventeenth birthday, so we have to go, the devil is at our heels… And now we’re running at full-tilt through the centre of the city, across the square beneath the Purbeck-marble edifice of the Queen’s ­Hotel, down towards the dark arches under the railway tracks, the illuminated sky shaking, the air fissured with beating cacophony,...

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Fiction

Diane Williams

How about some string?

I said “Would you like a rope? You know that haul you have is not secured properly.”
“No,” he said, “but I see you have string!”
“If this comes into motion—” I said, “you should use a rope.”
“Any poison ivy on that? ” he asked me, and I told him my rope had been in the barn peacefully for years.
He took a length of it to the bedside table. He had no concept for what wood could endure.
“Table must have broken when I lashed it onto the truck,” he said.
And, when he was moving the sewing machine, he let the cast iron wheels—bang, bang on the stair.
I had settled down to pack up the flamingo cookie jar, the cutlery, and the cookware, but stopped briefly, for how many times do you catch sudden sight of something heartfelt?
I saw our milk cows in their slow...

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A coffin to bury the statues of the ­ancestors
A coffin to bury the  statues of the ­ancestors

Clémentine Deliss

The Repatriation of the White Cube

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo. But as I found out on a recent visit to Lusanga in DRC, it is precisely the complexity and radical ambiguity of the enterprise that provides it with both artistic as well as socio-economic and political relevance. The work operates across several registers, each with its own context and syntax, be it within farming or art. What really convinces me is the equity...
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  • colonial history
  • Africa
  • museum
  • colonialism
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Discourse

Ute Holl

Dream, Clouds, Off, Exile

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  • monotheism
  • communism
  • exile
  • film
  • Karl Marx
Humanities
The Moses complex’s place is exile.

Ute Holl

The Moses complex’s place is exile.

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  • political theory
  • opera
  • community
  • psychoanalysis
  • exile
  • Jean-Marie Straub
  • migration
  • Danièle Huillet
  • Arnold Schönberg

 

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