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LISTMANIA . . . . . BIG BUGS . . . . . Marcus Quent . No Respite . . . . . TWELVE DRUMMERS DRUMMING . . . . . Donatien Grau, Pierre Guyotat . Conversation . . . . . I remember… . . . . . THE MOST BEAUTIFUL CLOUD NAMES . . . . . Peter Ott . Die monotheistische Zelle oder Berichte aus der Fiktion . . . . . Human Oddities . . . . . Michael Heitz . Noch ein neuer Gott in Teilen . . . . . American English . . . . . Mário Gomes . Brandsatz & Ästhetik . . . . . How to Pilot an Aeroplane . . . . . L’œuvre d'art n’a pas d’idée, elle est idée . . . . . Michael Heitz . Another New God in Parts . . . . . China frisst Menschen . . . . . Peter Ott . The Monotheistic Cell Or Reports from Fiction . . . . . Paradox I: That all things kill themselves . . . . . Pierre Guyotat . Unabhängigkeit . . . . . Barbara BastingThe Algorithm and I . . . . . Exodus. Gods and Kings . . . . . Je me souviens… . . . . . Mike Wilson . Rockabilly . . . . . Ich erinnere mich… . . . . . Marcus Quent . Ohne Halt . . . . . HER . . . . . Julien Maret . IN EXTREMIS . . . . . Quaddie . . . . . 36°37'49"N 42°49'23"E | 2016-06-14T09:09 . . . . . ABT. DIE DUEMMSTEN BERLINER FRISÖRNAMEN . . . . . Self-portrait . . . . . Mike Wilson . Rockabilly . . . . . Hermal . . . . . GUANAJUATONOVIEMBRE . . . . . Problem IX: Warum haben Hurenkinder das allermeiste Glück? . . . . . Tyler Coburn . Ergonomic Futures . . . . . Custom Creates Law . . . . . 12 Feb 2011 — 12 Feb 2017 . . . . . . AYA MOMOSE . . . . . Ute Holl . Dream, Clouds, Off, Exile . . . . . The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media . . . . . I remember . . . . . Pierre Guyotat . The Prison

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We like !

 

HER

DJ Helioglobal, 11.04.2017

Andreas L. Hofbauer, René Luckhardt: HER
Wien: Der Konterfei 2015
limitierte Ausgabe, 50 Seiten

 

In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system...

How to Pilot an Aeroplane

Luc Meresma, 11.04.2017

Capt. Norman Macmillan:
How to Pilot an Aeroplane,
George Allen & Unwin LTD: London 1942,
first edition, 110 pages

 

This book told me just what I had to know before...

American English

Hendrik Rohlf, 11.04.2017

Richard Prince: American English
Sadie Coles HQ/Verlag der Buchhandlung Walther König: London/Köln, 2003
Limited Edition, ohne Paginierung

 

Das Foto mit der Frau auf dem Fahrrad wiederholt sich auf der...

Other columns
  • John Donne’s Paradoxes and Problems

    John Donne’s Paradoxes and Problems

    …rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…

  • FICTIONARY

    FICTIONARY

    Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.

  • I remember

    I remember

    Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…

  • Barbara Basting<br>The Algorithm and I

    Barbara Basting
    The Algorithm and I

    The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”

My language
English

Selected content
English, French

»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.


Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs marching. No, agallop: DELINE THE MARE.


Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. BASTA! I will see if I can see.


See now. There all the time without you: and ever shall be, world without end.«


James Joyce

Editionen
  • Who is the bait? Who is the catch?

    Who is the bait? Who is the catch?

    Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.

  • simple forms called William, far off in a corner of the landscape

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