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Susanne Witzgall: “I don’t really have an identity other than within a context”
“I don’t really have an identity other than within a context”
(p. 64 – 78)

Susanne Witzgall

“I don’t really have an identity other than within a context”
In conversation with Terre Thaemlitz

PDF, 15 pages

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  • identity
  • digital culture
  • gender
  • queerness
  • capitalism
  • contemporary art
  • urbanism
  • politics
  • queer theory
  • migration

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English

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English, French

Susanne Witzgall

holds a PhD in art history and is head of the cx centre of interdisciplinary studies at the Academy of Fine Arts Munich funded by the BMBF. From 2003 to 2011 she was an assistant professor at the Department for Art History at the same institution. From 1995 to 2002 Witzgall worked as a curator for the Deutsches Museum Bonn and the Deutsches Museum, Munich. She has curated and co-curated several exhibitions among them Art & Brain II (1997/98), The Other Face (2002), Say It Isn’t So (2007) and (Re)Designing Nature (2010/1) and is the editor and author of numerous books and articles on contemporary art and art and science.

Other texts by Susanne Witzgall for DIAPHANES
Kerstin Stakemeier (ed.), Susanne Witzgall (ed.): Fragile Identities

What is the current state of the subject and what about the status of its self-image? In contemporary discourses we encounter more and more “fragile identities,” in artistic works as well as in scientific theories, and those are today much less referring to a critique of the concept of identity, but much rather to the relationship those concepts of identity entertain with the overall precarious state of the subject in current social conditions that are characterized by political upheaval and change.
The book Fragile Identities investigates among other things the chances and also the possible endangerments of such a fragile self and asks for the resurging urgency of a contemporary concept of subjectivity. The publication combines international artistic and scholarly contributions, discussions and project documentations in relation to the second annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.

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