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Around a sculpture by Alberto Giacometti
  • surrealism
  • sculpture
  • art theory
  • art history
  • face
  • melancholy
  • Alberto Giacometti
  • abstract art

The Storming of the Winter Palace
The Forensics of an Image

24.11.2017 – 08.04.2018

HMKV im Dortmunder U
Leonie-Reygers-Terrasse
44137 Dortmund
Deutschland

Sergei Eisenstein: The Anthropology of Rhythm

19.09.2017 – 19.01.2018

Nomas Foundation
Viale Somalia 33
01199 Rom
Italien

PerformanceProcess – Symposium

27.01.2018, 11:00

Kunsthalle Basel
Steinenberg 7
4051 Basel
Schweiz

OULIPO & CO – Exhibition
Curated by Jürgen Ritte

18.01.2018, 19:00 – 16.02.2018

ESPACE DIAPHANES
Dresdener Str. 118
10999 Berlin

Other Topics
Current Texts
About ‘how we treat the others’

Artur Żmijewski

About ‘how we treat the others’

ABO DE
  • contemporary art
  • political aesthetics
  • National Socialism
  • propaganda
  • migration
  • Poland
  • gift
  • ethics
  • documenta
  • concentration camp
­Pioneering!
­Pioneering!

Manuel Franquelo

An interview with Manuel Franquelo

There are almost no publications about him, for a painting he takes a whole year, for his photographic works he develops the hardware himself, and the software along with it, and he has only exhibited twice in his entire career. The trained engineer is involved in large projects on facsimileing and 3D reproduction for museums, but his skill is largely applied to his own slowly and brilliantly developing work. Manuel Franquelo is an artist of unusual radicalism, both in the autonomy...
ABO DE
Born too late to see the war, too soon to forget it.
Born too late to see the war, too soon to forget it.

Reiner Schürmann

Origins

"This is a book about the power that a past War holds over a German growing up in the 1950s and 1960s: born too late to see that war and too early to forget it. The narrative shows how painfully public events — the shadows, rather, of events gone by — intrude upon a life and shape it. The English translation appears at a moment when most of the key issues have radically changed. Germany has signed what amounts to a...
  • memory
  • emigration
  • 1968
  • autobiography
  • homosexuality
Fiction
The limp, voluptuous decadence of the place

Bruce Bégout

The limp, voluptuous decadence of the place

  • contemporary literature
  • avant-garde
  • short stories
  • Venice
  • obsession
  • urbanism
An immodest proposal
An immodest proposal

Stephen Barber

A War of Fragments: World Versus America

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-­alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions. Although the Ballard ­estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do...
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Discourse

Marie-Luise Angerer

Movement, Interval, Plasticity

If sensory perception of the world takes place prior to all consciousness, one might ask, finally, what this “prior to consciousness” means – is it an unconscious or rather a non-conscious? Who is dancing when dancers dance? Who is moving when bodies process stimuli? For Freud, the notion of the drive was a transitional concept bridging the divide between the somatic and the mental. I think that today, for various reasons, it is possible to replace the notion of the drive with that of affect to obtain a similarly transitional concept. But as I explain in my theory of the affective dispositif, this concept is one that no longer follows the movement of desire (for the Other) but which, with a focus on movement, interval, and plasticity, leads to surprising parallels (synchronizations) between the socio-political and the somatic. In this context, the “not-yet-movement” of affect often mentioned here can be understood...

OPEN
ACCESS
  • media theory
  • body
  • epistemology
  • gender
  • affects
Digital disrupture
Digital disrupture

Dieter Mersch

Digital Criticism

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...
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Humanities

Claire Denis

Fragility is the only thing I really know about me

I am not a very balanced person. I am fragile and sad – almost as described in Triste Tropiques by Claude Lévi-Strauss. I feel both those adjectives, I grew up with them. I was aware of my fragility even when I was very young – a baby, learning to walk, living somewhere in Africa and already feeling that the number of white persons was very small compared to the number of black persons and also noticing that most of the black persons that I met were gardeners or maids. I felt – I am sure I am not lying – even at that very young age, not a sense of injustice, but a sort of guilt.

Guilt for what? My parents were nice people, they treated everyone well. My father was avidly learning languages, he spoke many African languages and also Pidgin English very well and he used to speak it...

ABO DE
  • film d'auteur
  • autofiction
  • subjectivity
  • identity
Humanities

Alain Badiou

Only art has the power of a form. Mathematics is an exercise for monks.

We all know that the relationship between mathematical activity and artistic creation is a very old one. We know that for a start the Pythagoreans tied the science of number not merely to the movements of the stars but to musical modes. We know that Babylonian and Egyptian architecture presupposed elaborate geometrical knowledge, even if the notion of demonstration had still not been won. Further back still, we find formal, or abstract, outlines mixed in with animal representations, in the great prehistoric decorations, without our knowing precisely to what it is that these mixtures refer. 


For the philosopher that I am, or that I believe I am, the entry into our question, as so many others, passes through the contrasting disposition between Plato and Aristotle. 


For Plato, mathematics is fundamental in the sense that it mediates between, on the one hand, experience, or the relation to the sensory world, and,...

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  • aesthetics
  • art
  • art criticism
  • poetry
  • contemporary art

 

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