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Wong Ping: Still from ”Who is the Daddy" – courtesy of Edouard Malingue Gallery and the artist
Language can never be private
  • language
  • gender
  • feminism
  • Shakespeare
  • subjectification
  • theatre / drama

In the Uncanny Valley / The Origin of the New World

15.12.2018 – 21.12.2018

ZHdK – Zürcher Hochschule der Künste
Toni-Areal, Pfingstweidstrasse 96
8005 Zürich
Schweiz

Exhibition: Haus am Gern – Closing Time

07.12.2018 – 18.01.2019

ESPACE DIAPHANES
Dresdener Str. 118
10999 Berlin
Deutschland

Other Topics
Current Texts

Angelika Meier

Your story begins with a tunnel.

I’m standing in my perfectly fitting uniform with its freshly-pressed swastika armband in a long line at an American office. I’m waiting to submit my Application for Total War. Then, after standing in line for hours, the friendly clerk tells me that I need The Application for Foreign Aggressions in the next office over. Since I’m a depressed fascist, I don’t keep my chin up for long—despite my spiffy brown uniform—so I decide that’s enough for today and to try again tomorrow. The very next morning, I’m valiantly standing in the correct line, but then I’m missing some paperwork for the correct submission of my Application for Total War. Besides a birth certificate (the original, no copies allowed!), I’m still missing two recommendation letters from American citizens. Five are necessary. But—I thought just three… No, five in total! With a smile, the clerk raises her right hand, her fingers spread...

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Blood!
Blood!

Ines Kleesattel

Art, Girls, and Aesthetic Freedom Down Below

In Riehen, Basel, as part of a Balthus retrospective, Thérèse rêvant is being shown with an expectedly large media echo. And I’m going to take a look at her, because the Diaphanes publishers have suggested launching the “Collisions” section with a text about Balthus. Of all people. I’d rather not—on the one hand. After all, with his questionable preference for adolescent girls, Balthus has already received more than enough attention. Attention that until his death in 2008 he provoked with...
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  • body
  • feminism
  • gaze
  • gender
  • art history
Arts

Eric Baudelaire

A for Anomie

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

 

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Let’s find the stage of human affairs
Let’s find the stage of human affairs

Marion Muller-Colard, Clémence Pollet

Hannah Arendt's Little Theater

While about to finish her last book, the philosopher Hannah Arendt is disturbed by her stubborn alter ego, 9-year-old Little Hannah. Reluctantly, the old woman lets herself drag out onto the streets of New York and into constant conversation by the inquisitive little girl. They enter a little theatre, and together they watch mankind, society, politics, power evolve – and they also experience the role of Evil (in the person of a wolf and of numerous wooden puppets) and its...
  • Evil
  • young readers
  • ethics
  • thinking
  • acting
Fiction

Maël Renouard

Psychopathologie de la vie numérique

Psychopathologie de la vie numérique. Une nuit de septembre 2016, je rêve que c’est la rentrée et que je dois donner un cours. Il y a des années que je n’ai pas enseigné. Je suis projeté là, in medias res, dans un établissement de nature indéterminée. Je n’ai absolument rien préparé ; je n’ai avec moi aucun livre, aucun crayon, aucune feuille de papier. Je n’ai jamais su improviser. J’ai longtemps espéré d’en être un jour capable, l’expérience et le temps ayant fait leur œuvre ; cela ne s’est pas produit. Quelquefois, par flemme ou parce que j’avais beaucoup à faire par ailleurs, j’ai repoussé indéfiniment la préparation d’un cours, en songeant alors, eh bien, à Dieu vat, ce sera l’occasion d’improviser – et le résultat n’a pas été heureux. L’épreuve s’annonce donc rude, mais, pour essayer de me rassurer, je l’aborde en jouant avec l’idée que cette fois-ci, enfin...

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Be Jack!
Be Jack!

Michael Heitz, Hendrik Rohlf

Uma’s Face—Thurman’s Voice

When the only just 18-year-old Uma Thurman arose from a shell as a flawlessly beautiful film Venus in Terry Gilliam’s The Adventures of Baron Munchausen in 1989, it wasn’t necessarily foreseeable how persistently she would hold out her face for a system that is inadequately described by Hollywood, Miramax, Weinstein, and co. The fact that Uma’s face—her father sees her as a “reincarnated goddess”, and her name means “splendor” and “light” in Sanskrit, and is the epithet of the Hindu...
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Discourse
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • science fiction
  • utopia
  • linguistics
  • semiotics and semiology
  • communication
  • communication media
Discourse
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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  • ritual
  • body
  • feminism
  • Africa
  • spiritism
  • colonialism
  • ceremony
  • performance
Digital disrupture
Digital disrupture

Dieter Mersch

Digital Criticism

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...
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Humanities

Maria Filomena Molder

So many egoists call themselves artists…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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