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Bojana Cvejić

is a performance maker and theorist, working in contemporary dance and performance also as dramaturge and performer. Her performance work includes directing five experimental opera performances, most recently Mozart’s Don Giovanni (BITEF, Belgrade). Since September 2009, she is teaching contemporary dance and performance at the Utrecht University, M.A. programme Theatre Studies.

Other texts by Bojana Cvejić for DIAPHANES
  • visual thinking
  • dancing
  • body
  • choreography
  • politics