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Hun Kyu Kim, Regular, ordinary artist residency (Summer Night)

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DIAPHANES MAGAZINE No. 4

 

Facebook’s Just a Nail Studio

Barbara Basting, 10.04.2018

I noticed this pattern for fingernail decoration four years ago in the window of a “nail studio” in Salisbury, south-west...

Boutiques on the Bosporus

Barbara Basting, 10.04.2018

I’m no longer very happy with Facebook. Recently the algorithm seems to be taking the platform into total despotism. And...

12 Feb 2011 — 12 Feb 2017

Barbara Basting, 24.03.2017

Facebook recently wanted to make merry with me. To this aim it posted an entry on my notice board, which...

12 May 2011 – 12 May 2017: On Non-Digital Storage Media

Barbara Basting, 24.03.2017

The Facebook algorithm has noticed that I have something to do with art and museums, and presents me with a...

Other columns
  • FICTIONARY

    FICTIONARY

    Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.

  • Questionnaire

    Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?

  • John Donne’s Paradoxes and Problems

    John Donne’s Paradoxes and Problems

    …rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…

  • The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media

    The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media

    Raucous time capsules, rare jewels, and indispensable bulky goods from all epochs, languages, and genres.

My language
English

Selected content
English, French

»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.


Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs marching. No, agallop: DELINE THE MARE.


Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. BASTA! I will see if I can see.


See now. There all the time without you: and ever shall be, world without end.«


James Joyce

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