“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.
HMKV im Dortmunder U
U-Bahn-Station Altes Landgut (U1)
Muzeum Sztuki – ms1
After the self-abolition of this performance as an art work in the 3rd phase, we comprehend the work as an artistic means, a methodological tool which we wish to share with contemporary dance and performance artists, who are willing to reflect their contexts and public work and with all who have something to say about the structure of the global World of contemporary dance and performance.
We would like to invite you to join us in this research and to develop your own “private bio-politics” – thinking about which other stories could be told about symbolical ownership over history and concepts, about the monopolizing of the global dance and performance scene, and about the patronization of “the backward” and “the always late (comers)”.
We would usually propose to start with a discussion or an after talk moderated by a (local / present) theorist, artist or in this case by you on the spot....