User account


About ‘how we treat the others’
About ‘how we treat the others’

Artur Żmijewski

Conversation on “Glimpse”

Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project?   We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...
  • documenta
  • gift
  • concentration camp
  • contemporary art
  • ethics

The Storming of the Winter Palace
The Forensics of an Image

24.11.2017 – 08.04.2018

HMKV im Dortmunder U
44137 Dortmund

Dauerausstellung »Gesichtsüberwachungsschnecken« von Yves Netzhammer

05.09.2017 – 05.09.2018

U-Bahn-Station Altes Landgut (U1)
1100 Wien

PerformanceProcess – Symposium

27.01.2018, 11:00

Kunsthalle Basel
Steinenberg 7
4051 Basel



We need more planetary dimensions!
We need more planetary dimensions!

Rosi Braidotti

Nomadic Subjects

My life-long engagement in the project of nomadic subjectivity rests on a specific cartography of our globalised times, marked by large-scale and technologically-mediated transformations of our social, economic and political universes. I start from the assumption that, as a result of these upheavals, traditional forms of self-representation, familiar cultural points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Our historical context is marked by the schizoid structure of technology-driven advanced capitalism, as Deleuze and Guattari...
  • feminism
  • Europe
  • capitalism
  • identity
  • globalization
Current Texts

Maurizio Lazzarato

The endless array of merchandise

In contemporary capitalism, subjectivity is the product of a mass industry organized on a global level. For Félix Guattari this is actually the first and most important of capitalist productions, because it preconditions and is part of production in all other forms of merchandise. Subjectivity is a ‘key merchandise,’ which in its ‘nature’ is put together, developed and manufactured in the same way as a car, electricity, or a washing machine. Capitalism organizes the production and control of subjectivity through two different systems, which weave together the manufacture of the individuated subject (“social subjection”) and what seems to be the opposite, de-subjectification (“machinic enslavement”). Therefore capitalism exercises a twofold hold over subjectivity.

Social subjection involves techniques of government, which pass by way of, and mobilize, representation (political and linguistic), areas of knowledge, discursive visual practices, etc., and produce ‘subjects of rights,’ ‘political subjects,’ in short: ‘subjects’ of ‘I’s,’ of individuals. By...

  • capitalism
  • data
  • Governmentality
  • algorithms
  • identity
Current Texts

Tim Ingold

A rock is a rock is a rock.

As an anthropologist and an academic, I am incapable of doing anything with my hands except write and play my cello. Having carried out ethnographic fieldwork in Lapland, however, I used to be able to manage a herd of reindeer – though maybe not any more. Because of the nature of this fieldwork, I became steeped in the traditions of ecological anthropology – that is, in the study of the relationships between human beings and their environments, including everything that makes life possible. But I was also interested in the study of what is nowadays called material culture. At one time, ecological anthropology and the study of material culture were so closely joined as to be virtually indistinguishable. But not any more. Indeed it seems that in recent years, students of ecological anthropology and students of material culture have been talking increasingly past one another. This is very odd, given...

  • Gilbert Simondon
  • material aesthetics
  • thing/thingness
  • Gilles Deleuze
  • anthropology