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Black Panther is an American, not an African story
Black Panther is an American, not an African story

A.K. Kaiza

An Annotated History of Wakanda

The movie Black Panther, which has become the most successful superhero movie of all time, imagines Wakanda in a very specific and maybe even slightly emancipatory way. Black Panther, now the king of the concealed super-state, faces his current archenemy Killmonger, who wants to distribute arms to the Global South for an uprising against neoliberal imperialism. The scene that introduces Erik “Killmonger” Stevens, the antagonist to Ryan Coogler’s newly imagined hero, takes place in a museum. Killmonger (played by a mesmeric...
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From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • utopia
  • communication media
  • communication
  • science fiction
  • semiotics and semiology
  • linguistics
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Scripted Culture: Book launch Zurich

15.06.2018, 18:00

ZHdK – Zürcher Hochschule der Künste
Pfingstweidstrasse 96
8031 Zürich
Schweiz

 

Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • monochrome
    • color
    • image and imagery
    • semiotics and semiology
    • chromatics / colour science
  • Choreographing multitudes

    Choreographing multitudes

    • social networks
    • crowd
    • protest movements
    • swarm model
    • crowd psychology
    • social movements
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • discourse history
    • financial markets
    • economics
    • economization
    • financial crisis
    • economy
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Marcus Quent

Belief in the world is what we most lack.

It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”

At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...

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A praxeological history of the credit card
A praxeological history of the credit card

Sebastian Gießmann

Towards a Media History of the Credit Card

In every good American tale of entrepreneurship there is at least one hero, and an initial magical scene of invention has to be told. So it does not come as a surprise that the story of Diners Card as a New York neighborhood technology has been told as an anecdote ever since the 1950s. By now, we know that Frank MacNamara did not conceive of the idea while lacking the cash (or the wallet) to pay for his business dinner...
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  • ethnomethodoloy
  • money
  • actor-network-theory
  • history of media
  • credit
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Richard Ingersoll

A door that is opened and closed at the same time

The recourse to irony may seem singularly inappropriate to the field of architecture if by architecture one ascribes Durand’s “the art of the necessary.” Building as structure, material, and social program would seem to be the most direct and irony-free cultural phenomenon: structure and materials have a legal responsibility to function properly; and shelter is a basic human imperative. In this sense there is incontrovertible quiddity in the weight, expense, and purpose of architecture. But if one asks, along with Nikolaus Pevsner, if utilitarian structures such as the bicycle shed qualify as architecture, one is forced to recognize that architecture belongs to a discourse that goes far beyond the phenomenal acts of shelter and construction because it is circumscribed by texts and subject to interpretation. With the recognition of the textuality of architecture, the question of irony, a quintessential result of interpretation, becomes a significant effect of architecture, if not...

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  • Marcel Duchamp
  • Frank Gehry
  • illusionism
  • postmodernism
  • irony